After taking a day off on day five, and spending day six
travelling to Munich from Amsterdam, on day seven, we visited Helen Britton and
David Beilander in their studio. I remembered some of their work from when they
visited us in Sydney, but I was fascinated to see it in person. I particularly
like the way David works. To hear him say that he decides: “ I want to make a
snake,” and then the technical details, the materials and how he makes it are
decided from there (often over the course of a year or so) was very refreshing.
Whilst his work is technically extraordinary, it is wonderful to see that this
is not for its own sake, it is driven by the fact of what he has chosen to make
and what he wants to achieve with it. His technical skill is demonstrated, but
not shown off, and usually achieves some auxiliary aim, for example every one
of the snake neckpieces he makes will move in a marvellously reptilian fashion,
as the wearer wraps it around their neck, even though they are really just a
strip of metal coiled around itself.
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